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date: 19 February 2019

(p. ix) Contributors

(p. ix) Contributors

Torsten Anders, Senior Lecturer in Media Arts and Course Leader for Music Technology, University of Bedfordshire



Sarah Angliss, Visiting Research Fellow, Sound Practice Research Unit, Goldsmiths, University of London



Jan Beran, Professor, Department of Mathematics and Statistics, University of Konstanz



Oliver Bown, Senior Lecturer, Arts and Design, University of New South Wales, Sydney



Andrew Brown, Professor of Digital Arts, Queensland Conservatorium, Griffith University



Jamie Bullock, Integra Lab, Birmingham Conservatoire



Warren Burt, composer and lecturer, Box Hill Institute, Melbourne



Baptiste Caramiaux, Marie Skłodowska-Curie Research Fellow at McGill University and IRCAM



Alexandra Cárdenas, composer and improviser, Berlin



Nick Collins, Reader in Composition in the Department of Music, University of Durham



Geoff Cox, Associate Professor, Department of Aesthetics and Communication and Participatory IT Research Centre, Aarhus University



Palle Dahlstedt, Obel Professor of Art and Technology, Department of Communication and Psychology, Aalborg University



Roger T. Dean, Research Professor of Sonic Communication at the MARCS Institute for Brain, Behaviour and Development, Western Sydney University



Alice Eldridge, Research Fellow in Digital Humanities/Digital Performance, Department of Music, University of Sussex



Kristin Grace Erickson, Technical Coordinator, Digital Arts and New Media, University of California Santa Cruz



Mark Fell, independent artist, Rotherham



(p. x) Rebecca Fiebrink, Lecturer, Department of Computing, Goldsmiths, University of London



Jamie Forth, Lecturer, Department of Computing, Goldsmiths, University of London



Christopher Haworth, Lecturer in Music, University of Birmingham



Mileece I’Anson, Founder, Children of Wild, Los Angeles



David Kanaga, independent composer and designer, Oakland



Yuli Levtov, founder of Reactify, London



George E. Lewis, Edwin H. Case Professor of American Music, Columbia University, New York



Thor Magnusson, Senior Lecturer in Music, Department of Music, University of Sussex



Charles Matthews, composer and researcher, London



Kaffe Matthews, founder of Bicrophonic Research Institute, London



Alex McLean, postdoctoral researcher in Weaving as a Technical Mode of Existence, Research Institute for the History of Science and Technology, Deutsches Museum, Munich



Andrew J. Milne, Australian Research Council DECRA Fellow at the MARCS Institute for Brain, Behaviour and Development, Western Sydney University



David Ogborn, Associate Professor, Communication Studies and Multimedia, McMaster University



Morten Riis, postdoctoral researcher, School of Communication and Culture, Aarhus University



Charles Roberts, Assistant Professor in the School of Interactive Games and Media at the Rochester Institute of Technology



Julian Rohrhuber, Professor for Music Informatics and Media Theory, Robert Schumann School of Music and Media, Düsseldorf



Carla Scaletti, President and Founder of Symbolic Sound Corporation



Jan C. Schacher, Research Associate, Institute for Computer Music and Sound Technology, Zürcher Hochschule der Künste



Margaret Schedel, Assistant Professor, Music Department, Stony Brook University



Mary Simoni, Dean of the School of Humanities, Arts and Social Sciences, Rensselaer Polytechnic Institute



Laurie Spiegel, composer, New York



(p. xi) Graham Wakefield, Assistant Professor, School of the Arts, Media, Performance and Design, York University



Renate Wieser, Researcher in Media Aesthetics, University of Paderborn



Geraint Wiggins, Professor of Computational Creativity, School of Electronic Engineering and Computer Science, Queen Mary, University of London



(p. xii)