Music
Oxford Handbooks Online in Music form a network of reference articles on current scholarship in all areas of music research including historical musicology, ethnomusicology, theory, pedagogy, dance, and technology. OHO complements and completes the volumes in print by updating and expanding on them and by creating links between the volumes. While OHO aims to provide reference works for any current field of inquiry, the series pays particular attention to newly established and emerging fields. The contributions assembled in OHO do not merely constitute summaries of previous research but often cover genuinely new ground. The essays are addressed primarily to scholars who require access to the current state of scholarship in a given field, and they present in-depth investigations by leading scholars.
Editor in Chief
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Alexander Rehding is Fanny Peabody Professor of Music and Chair of the Department of Music at Harvard University. He is a former editor of Acta musicological and recipient of numerous awards and fellowships. His research interests are located at the intersection between theory and history; they cover a wide spectrum from Ancient Greek music to the Eurovision Song Contest, focusing on the Long Nineteenth Century. He is the author of Music and Monumentality (2009) and Hugo Riemann and the Birth of Modern Musical Thought (2003), as well as numerous edited collections and articles.
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OUP: Why do you believe that Oxford Handbooks Online: Scholarly Research Reviews is an especially useful resource for those studying music?
Rehding: Digital publication offers a range of possibilities that were unthinkable only a few years ago. The study of music stands to benefit from these possibilities more than most other disciplines, especially as the field becomes more interested in studying aspects of performance and non-notated musical practices, which are notoriously difficult to pin down in traditional print media. Oxford Handbooks Online aims to explore these exciting new possibilities, in areas where digital publication may have a dramatic and fundamentally field-changing impact.
OUP: What appeals to you most about the new article-based focus of this project?
Rehding: Oxford Handbooks Online offers the fascinating prospect of breaking down the traditional boundaries of academic fields. By moving away from conceiving of publications in terms of volumes, with fixed and immutable boundaries, toward a chapter-based or cluster-based format, we can think of Oxford Handbooks Online as one gigantic, potentially open-ended reference network that allows researchers to explore cutting-edge research in ways that are not tied to disciplinary constraints.
Editorial Board
| Senior Editors | ||
| Colleen Conway University of Michigan Jennifer Fisher University of California Irvine |
Mark Katz University of North Carolina Kate van Orden University of California Berkeley |
Deborah Wong University of California Riverside |
Volume Editors
| Karin Bijsterveld Maastricht University Caroline Bithell University of Manchester Melissa Blanco-Borelli University of Surrey Wayne Bowman Brandon University Patricia Shehan Campbell University of Washington Karen Collins University of Waterloo Colleen Conway University of Michigan Roger B. Dannenberg Carnegie Mellon University Roger T. Dean University of Western Sydney Jonathan Dueck Duke University Lorna Fitzsimmons California State University Ana Lucía Frega University CAECE in Buenos Aires Jane F. Fulcher University of Michigan Nadine George-Graves University of California, San Diego Edward Gollin Williams College Sumanth Gopinath University of Minnesota Claudia Gorbman University of Washington, Tacoma Joanne Gordon Columbia Law School Helen Greenwald New England Conservatory of Music Mark Grimshaw University of Bolton |
Patricia Hall University of California, Berkeley Amy Herzog Queens College Juniper Hill University College Cork Yael Kaduri Bezalel University Bill Kapralos University of Ontario Institute of Technology Vicky Karkou Queen Margaret University Raymond Knapp University of California, Los Angeles Benjamin D. Koen Xiamen University Rebekah Kowal The University of Iowa Kjell Lemström University of Helsinki George E. Lewis Columbia University Sophia Lycouris Edinburgh College of Art Randy Martin New York University Fred Maus Oxford University Charles McKnight University of North Carolina at Asheville Gary E. McPherson University of Melbourne Danuta Mirka University of Southhampton Mitchell Morris University of California, Los Angeles |
David Neumeyer Univeristy of Texas at Austin Sue Oliver freelance dance artist in Edinburgh, UK Benjamin Piekut Cornell University Trevor Pinch Cornell University Alexander Rehding Harvard University John Richardson NYU Suzel Riley Queen's University, Belfast Anthony Shay Pomona College Gerald Siegmund University of Giessen Jason Stanyek University of California, Los Angeles Jason Stanyek New York University Holly Tessler University of the West of Scotland Carol Vernallis Arizona State University Graham F. Welch University of London Sheila Whiteley University of Salford Geraint A. Wiggins Goldsmiths College University of London Trevor Wiggins Dartington College of Arts Stacy Wolf Princeton University |
We want to hear from you.
Oxford Handbooks Online is a partnership between the publisher and the academic community, and we invite your questions about the content. Please feel welcome to email Anna-Lise Santella, our Music editor, with comments, suggestions, or questions.