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Acoustic Auteurs and Transnational Cinema  

Jay Beck

Print publication date:
Dec 2013
Online publication date:
Dec 2013
This article appears in the Oxford Handbook of Sound and Image in Digital Media edited by Carol Vernallis, Amy Herzog, and John Richardson. This essay examines a growing number of ... More

A Gray Box: The Phonograph in Laboratory Experiments and Fieldwork, 1900–1920  

Julia Kursell

Print publication date:
Dec 2011
Online publication date:
Nov 2012
The historiography of recording has done great service in enumerating technical devices. While in the beginning, the phonograph was immediately accepted as a scientific instrument, its ... More

Inglo(u)rious Basterdization? Tarantino and the War Movie Mashup  

Miguel Mera

Print publication date:
Dec 2013
Online publication date:
Dec 2013
This article appears in the Oxford Handbook of Sound and Image in Digital Media edited by Carol Vernallis, Amy Herzog, and John Richardson. This essay explores ways in which mashup ... More

Lost in Sensation: Reevaluating the Role of Cinematic Sound in the Digital Age  

William Whittington

Print publication date:
Dec 2013
Online publication date:
Dec 2013
This article appears in the Oxford Handbook of Sound and Image in Digital Media edited by Carol Vernallis, Amy Herzog, and John Richardson. This essay argues that sound processes, design ... More

“Sobbing, Whining, Rumbling”: Listening to Automobiles as Social Practice  

Stefan Krebs

Print publication date:
Dec 2011
Online publication date:
Nov 2012
German motorists in the 1920s appeared to possess the necessary listening skills to diagnose malfunctions. They questioned the sonic expertise of their car mechanics. This article explores ... More

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