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date: 22 February 2019

Abstract and Keywords

This chapter discusses the contrasting creative experiences of the two editors of this volume on algorithmic music, two complementary people from very different generations and musical backgrounds. One is an experienced instrumentalist with conventional musical training, who has run an international intermedia creative ensemble for several decades. He came to algorithms so as to extend his musical practice, in part by listening. The other is primarily a computer musician, with more training in computation than instrumental performance, and who conversely came to music to extend his algorithmic practice, in part by listening. The contrast, described historically, embraces many aspects of algorithmic music, from live algorithms to live coding.

Keywords: live algorithms, live coding, programming, the Generative Manifesto, Algorave, austraLYSIS, Slub, TOPLAP, hylomorphism, listening

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